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Kamairicha (釜炒り茶)

A cup of golden Japanese green tea being poured from a teapot, with loose green tea leaves on a wooden scoop.

Most Japanese green tea is steamed soon after it is picked. In the mountain towns of northern Miyazaki, the fresh leaves meet hot iron instead. They are tossed in a pan hot enough to hiss, and the tea that comes out smells faintly toasty and sweet, a little like warm grain. That tea is kamairicha. Only a small amount is made in Japan, yet in the mountains where it grows, it is simply the everyday tea.

Kamairicha (釜炒り茶) is a Japanese green tea that is pan-fired rather than steamed to stop the leaves from oxidizing. It brews a clear, golden-yellow cup with a clean taste, little astringency and a gentle toasty aroma called kamaka. In this guide, you’ll learn what the name means, how the pan-firing works, the two traditional pan styles, where kamairicha is made today, and how to brew it at home.

The short answer

Kamairicha is pan-fired Japanese green tea. Fresh leaves are heated in a very hot iron pan instead of being steamed, then rolled and dried into loose curls. It is still a green tea, not a roasted one like hojicha. Miyazaki Prefecture produces the most kamairicha in Japan, and the tea tastes clean and refreshing, with a light toasty aroma.

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Illustrated guide to kamairicha: fresh tea leaves fired in a hot iron pan and dried into loose, olive-green curls that brew a golden cup

Kamairicha is an unoxidized green tea, just like sencha. The difference lies in the very first step. Sencha is steamed to stop the natural browning of the leaves, while kamairicha is fired in a dry, hot pan. The method came to Kyushu from China centuries ago, and it is still closer to how most green tea is made in China.

Kamairicha Quick Facts

Japanese name
釜炒り茶, read kamairicha
Type
Unoxidized green tea, pan-fired instead of steamed
Leaf shape
Loose, rounded curls; not pressed into needles
Cup color
Clear golden-yellow
Aroma
Kamaka (釜香), a light toasty “pan aroma”
Main region
Miyazaki, Japan’s top producer; also Kumamoto and Saga
Production
Small; about 1% of Japan’s green tea, according to a 2019 Japan Tourism Agency profile
Flavor
Clean and refreshing, with little astringency

What the Name Kamairicha Means

The name explains the method. 釜 (kama) is an iron pot or pan, 炒り (iri) means dry-frying or firing, and 茶 (cha) means tea. So kamairicha is simply “pan-fired tea.” You may also see it written as 釜煎り茶, or sold as kamairi green tea. These are the words you are most likely to meet on a package or in a tea shop:

Words to know

kamairicha

Pan-fired green tea

kamaka

The toasty aroma from the pan

iriha

Firing the fresh leaves

suikan

Drum-drying step unique to kamairicha

kamairisei tamaryokucha

Formal name for curled pan-fired tea

Takachiho

Best-known kamairicha town, Miyazaki

Not the same as hojicha

“Pan-fired” can sound like “roasted,” but kamairicha is a green tea. The pan only heats the fresh leaves long enough to stop oxidation, so the dry leaves stay green. Hojicha is made by roasting finished tea until it turns brown, which gives a much darker, smoky cup.

Illustrated guide to how kamairicha is made: firing fresh leaves in a hot pan, rolling, drying in a rotating drum and final firing

Kamairicha is made in spring, like other Japanese green teas, but the factory looks different. Instead of a steaming machine, the line begins with a hot rotating iron drum. A guide from the Takachiho tourism association names the pan-firing and the drum-drying as the two steps unique to kamairicha. The outline below shows the usual order in a modern factory; machines and timings vary from farm to farm.

  1. Pan-firing (iriha): fresh leaves tumble in a hot iron drum. The Takachiho guide notes the drum surface reaches 250°C or more. The heat stops oxidation and softens the leaves.
  2. Rolling (jūnen): the soft leaves are rolled to break the cells and bring out flavor.
  3. Drum-drying (suikan): the leaves turn in a heated drum, lose moisture and start to curl.
  4. Final firing and drying: a last round of heat dries the tea and sets its curled shape and toasty aroma.

Moisture control matters at every stage. The same Takachiho guide warns that if steam builds up in the drum, leaves can stick to the hot wall and pick up a scorched or smoky smell. Good kamairicha smells toasty, never burnt.

By Hand: The Old Ureshino Method

Before machines, kamairicha was made entirely by hand. In a 2017 paper, a researcher at the Kumamoto Prefectural Industrial Technology Center recorded the memories of Ureshino tea makers. They first fired the leaves in a pan above 300°C, then rolled them, half-dried them, rolled them again, half-dried them a second time, let them rest, and finished them with a final firing. The same paper suggests the tilted pan was adopted to save labor, not to mass-produce tea for export.

That hand method still lives on in demonstrations. At Kisaraku-kan, a tea facility in Ureshino, the Japan Tourism Agency describes leaves being fired above 300°C in metal pans set into stone hearths, tossed by hand so they do not burn, then pressed and rolled into curls.

Why the Pan Changes the Tea

Steam is wet heat, while a pan is dry heat. That difference shows up in the cup. In samples tested by Saga Prefecture’s tea researchers, kamairicha contained about twice as much of the aroma compounds behind kamaka as sencha did. The researchers also describe it as low in astringency and easy to taste as umami, with fewer catechins in the cup in their comparisons.

Worth knowing

A 2018 study by the Saga Prefectural Tea Research Station made kamairicha, steamed tamaryokucha and sencha from the same Yabukita leaves. A taste sensor found kamairicha about as savory as sencha but less astringent. The authors link this partly to lighter rolling, which draws fewer astringent components out of the leaf.

Two traditional kamairicha pan styles: the tilted Ureshino-style pan and the flat Aoyagi-style pan

Japan developed two traditional styles of kamairicha, named after the pans they use. According to Japan’s Agency for Cultural Affairs, the two styles grew from very different ways of life.

Ureshino style

A tilted pan, also called a Chinese pan. Built for making tea to sell, with efficiency in mind. Still used by hand in Ureshino, Saga.

Aoyagi style

A flat, horizontal pan used in Kumamoto and Miyazaki. The same pan also cooked the family’s meals, so tea-making was part of home life.

Ureshino is also where, by local tradition, pan-firing first came to Japan in the early 1500s. Our guide to tamaryokucha tells that story and explains how Ureshino later moved to a steamed tea with the same curled shape. In the mountains of Kumamoto and Miyazaki, by contrast, kamairicha simply stayed the everyday tea of farming households.

Kamairicha sits between familiar teas. It shares its green leaf with sencha, its curled shape with steamed tamaryokucha, and a touch of toasty aroma with hojicha. The table shows how they compare.

PointSenchaSteamed tamaryokuchaKamairichaHojicha
First heatSteamSteamHot iron panSteam, then roasted later
LeafStraight needlesSmall, tight curlsLooser, rounder curlsBrown leaves and stems
Cup colorYellow-greenBright greenClear golden-yellowReddish brown
AromaFresh, grassyFresh, sweetLight toasty kamakaStrong roasted
AstringencyModerateModerateLowVery low

Kamairicha is also sometimes compared with Chinese green teas, which are usually pan-fired too. The Japan Tourism Agency describes its mouthfeel as similar to Chinese tea. Still, Japanese kamairicha has its own cultivars and regions, as the next section shows.

Illustration of terraced tea fields and a small family tea farm in the misty mountains of Takachiho, Miyazaki, the heart of kamairicha country

Kamairicha is a Kyushu tea, and above all a Miyazaki tea. Japan’s Ministry of Agriculture, Forestry and Fisheries (MAFF) lists Miyazaki as the country’s top producer of kamairicha in its 2025 tea report. Most of it comes from the steep, misty mountains in the north of the prefecture.

Nishiusuki, Miyazaki

Takachiho, Hinokage and Gokase. The heartland of kamairicha and Japan’s leading production area.

Kumamoto

Mountain tea areas with an Aoyagi-style tradition. The prefecture’s tea researchers have tested kamairicha machines.

Ureshino, Saga

Home of the tilted-pan style, kept alive by a small number of hand makers.

Takachiho: Small Farms, Big Reputation

Takachiho is famous for its gorge and its night-time kagura dances, but tea is part of daily life there too. A 2019 Japan Tourism Agency profile counted 33 family-run tea farms in the area that still make kamairicha by careful pan-firing. In the surrounding district, kamairicha is simply the everyday tea, while elsewhere in Japan it is something special. One local family farm won the Minister of Agriculture’s Award at the 2015 National Tea Fair.

Miyazaki has even bred its own tea plants for pan-firing. The Takachiho guide lists the cultivars Takachiho, Unkai, Yamanami and Nagomiyutaka, all developed by the prefecture for kamairicha.

A World Agricultural Heritage Site

In December 2015, the Takachiho-go and Shiibayama area was designated a Globally Important Agricultural Heritage System by the UN’s Food and Agriculture Organization. The site covers five mountain towns and villages, including Takachiho, Hinokage and Gokase. Miyazaki Prefecture names kamairicha, along with terraced-field rice and shiitake, as a local product that helps protect this mountain way of farming.

Kamairicha tastes clean. The first thing most people notice is the aroma: sweet, nutty and lightly toasty, a little like warm grain. The cup is clear and golden-yellow, lighter in color than most steamed green tea.

Typical flavor profile

Aroma

Toasty, sweet

Sweetness

Medium

Umami

Medium

Astringency

Low

Bitterness

Low

Editorial description for comparison only, not lab scores. Grade, cultivar and harvest change the taste.

On the tongue, kamairicha is light and refreshing rather than thick. Saga’s researchers describe it as “free of astringency and refreshing,” and that matches the classic reputation of the tea. If you find steamed green tea too grassy or brothy, kamairicha is a good tea to try next. It also suits people who like Chinese green teas but want something from Japan.

Illustrated guide to brewing kamairicha: a teapot with hotter water, a cold-brew bottle and a second infusion in a small cup

Kamairicha is easy to brew, and it likes a little more heat than most Japanese green teas. The Japan Tourism Agency notes that slightly hotter water suits it. Hotter water brings out the toasty kamaka aroma, and because the tea is low in astringency, it rarely turns harsh. Treat the amounts below as a starting point, and adjust them to the tea and your taste.

Teapot

Aromatic and clean

Leaf
4–5 g (about 2 tsp)
Water
150–200 ml at 80–90°C
Time
About 60 seconds

Second cup

Lighter, still fragrant

Leaf
Same leaves
Water
Just off the boil
Time
About 30 seconds

Cold brew

Sweet and refreshing

Leaf
10 g per liter
Water
Cold, in a jug or bottle
Time
3–6 hours in the fridge

Step by Step in a Teapot

  1. Heat the water to 80–90°C. Letting boiled water stand for a minute or two is enough.
  2. Add the leaves to a small teapot, such as a Japanese kyusu.
  3. Steep for about a minute. Watch the loose curls open and the cup turn golden.
  4. Pour every last drop, moving between cups so each gets the same strength.
  5. Brew again with hotter water and a shorter time. Good kamairicha gives two or three pleasant cups.

Miyazaki’s tea promoters also recommend cold-brewed kamairicha for the hot months. Its low astringency makes it especially smooth when steeped in cold water, so it is a good tea for a summer jug in the fridge.

Because so little is made, kamairicha can be hard to find outside Kyushu. Specialist tea shops, Miyazaki souvenir shops and online stores are your best options. These points help you choose well.

  • Check the label: look for 釜炒り茶 or 釜炒り. Simply “curly green tea” may be the steamed style instead.
  • Check the origin: Takachiho, Gokase, Hinokage or Miyazaki on the label is a good sign. Ureshino hand-made kamairicha is rarer still.
  • Look at the leaf: expect loose, olive-green curls. Brown leaves suggest a roasted tea such as hojicha.
  • Look for a cultivar: some farms sell single cultivars such as Takachiho or Yabukita, which is a fun way to compare.
  • Buy small amounts: a 50–100 g bag lets you finish the tea while its aroma is fresh.

Store kamairicha sealed in a cool, dark, dry place, away from strong smells. If you keep an unopened bag in the fridge, let it reach room temperature before opening so moisture doesn’t form on the leaves. Follow the date and storage advice on the package, and finish an opened bag while it still smells toasty and sweet.

Kamairicha is a small tea with a long memory. Every cup carries a pan-firing method that reached Kyushu from China centuries ago, kept alive by mountain farm families who never gave it up. If you enjoy sencha, try a cup of kamairicha beside it and taste what a hot iron pan can do.

About the Tea

Is kamairicha the same as tamaryokucha?

They are related. Both have curled leaves, and in the formal sense pan-fired curled tea is a kind of tamaryokucha. In everyday use, though, tamaryokucha usually means the steamed style, while the pan-fired style is sold as kamairicha.

Is kamairicha roasted like hojicha?

No. The pan only heats the fresh leaves to stop oxidation, so kamairicha stays a green tea with green leaves and a golden cup. Hojicha is finished tea roasted until brown.

Is kamairicha a Chinese tea?

No, it is made in Japan, mainly in Miyazaki. Its pan-firing method is closer to Chinese green tea than to steamed Japanese tea, which is why its taste is often compared to Chinese green tea.

Drinking and Buying

What water temperature is best for kamairicha?

Use slightly hotter water than for sencha, around 80–90°C, for about one minute. Use even hotter water for the second infusion.

Does kamairicha have caffeine?

Yes. Like other green teas, it contains caffeine. The amount depends on the leaf and how strongly you brew it.

Where is kamairicha made?

Mostly in Miyazaki Prefecture, especially Takachiho, Hinokage and Gokase. Smaller amounts come from Kumamoto and Ureshino in Saga.

References

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About the Writer

Huong Ngo is a Vietnamese writer who has studied Japanese language and culture for over five years. She previously lived and worked in Japan for three years, gaining firsthand experience of Japanese society, culture, and everyday life.

She writes about Japanese food, culture, and travel, while also enjoying the opportunity to explore cuisines and traditions from around the world. Her interests include traveling, discovering local foods, and learning about the cultural stories behind them. She is also a longtime Doraemon fan, with a particular fondness for dorayaki.

Her experience living in Japan and background in Japanese studies inform her approach to exploring Japan beyond the most familiar tourist destinations.

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